“Helen with Geraniums.” All images © Vanessa Lubach, shared with permission
Norfolk-based artist Vanessa Lubach likens her printmaking practice to that of oil painting and draws on the latter to inform her vibrant compositions. “I linocut like a painter and paint like a linocutter, and the two disciplines work together to inform and enhance each other,” she tells Colossal. Whether depicting bunches of dahlias and cosmos in a ceramic pitcher or an enchanting forest landscape, Lubach’s works center on quiet moments in domestic interiors or out among nature.
Each piece begins with a sketch and a general idea of the palette. “I’m always optimistic that I can limit the colour layers to around a dozen at this point, but that almost never happens. They almost always end up in the 20s,” she says. After drawing and carving the main image, or key block, she prints and transfers the composition to additional blocks designed for each individual color. Some pieces, like the ceremonial “Allotment Bouquet,” take almost a year to complete.
Two of Lubach’s works are included in the traveling 84th Annual Exhibition of the Society of Wood Engravers, which is on view through July 9 at Sea Pictures Gallery in Suffolk. She also has a variety of prints available on Etsy and shares much more of her process and glimpses into her studio on Instagram. (via Women’s Art)
“Hector with Dahlias”
“Hector with Dahlias”
“Hector with Dahlias”
“Allotment Bouquet”
“Allotment Bouquet”
“Blickling Through The Trees”
“Blickling Through The Trees”
“Dahlia and Cosmos”
from Colossal https://ift.tt/8CDt7UW